Throughout the copyright consultation, I've been assisted by University of Ottawa student Frances Munn, who has been tracking the discussion in the online forum (earlier updates here, here, and here).  While submissions will still be accepted until midnight tonight, the discussion forum is now closed.   The forum attracted over 2,000 comments with a summary posted below.


Copyright and You

How do Canada’s copyright laws affect you? How should existing laws be modernized?

September 13, 2009 (1183 responses)

Many posters spoke out against DRM and a three-strikes rule while also supporting more consumer rights such as fair use and personal copying and backup rights for legitimately purchased materials. In addition, many people were concerned about the unfair influence of big corporations in the copyright debate. As well, many artists argued that they had the right to be compensated for their work and that online file-sharing was theft. Finally, there were several philosophical discussions behind the meaning and definition of “copyright” in the Internet age.

• A poster discussed the idea of “culture” as a right rather than a privilege mostly enjoyed by the more advantaged and suggested instituting some sort of royalty tax system.
• One poster pointed out that “art” was not solely limited to people being paid to write or perform, and would endure even under open copyright laws.
• One discussion debated whether copyright terms should be shortened.
• One poster opposed Bill C-61, arguing that businesses should adapt to the new realities of file-sharing over the Internet.
• Another poster argued that musicians deserve to be compensated fairly and that it was difficult to make a decent living off live performances.
• One teacher pointed out that educators do not have the budgets to afford the high cost of using media in classrooms.
• Many posters were wary about following a U.S. model on copyright, pointing to high million dollar lawsuits for downloading a few songs.
• One poster worried about privacy violations that could occur if ISPs were given powers to control and collect information.
• Another person pointed to studies that show people who use P2P also buy more media.
• Many posters pointed out that they were satisfied with current laws and that they did not need to be updated.

Test of Time

Based on Canadian values and interests, how should copyright changes be made in order to withstand the test of time?

September 13, 2009 (175 responses)

• The most recent poster argued that copyright terms were too long, pointing to Microsoft Windows 3.1 as an example of software that would be obsolete by the time it entered the public domain.
• Another person was concerned about copyright laws that would lead to our culture being concentrated in the hands of a few powerful interests.
• One poster cautioned the government against enacting laws that will lead to punitive damages because the online community continues to develop better ways of encrypting data.
• Another poster said that Canada could learn from the mistakes of the American DMCA and avoid passing a similar reform bill with anti-circumvention provisions.
• One person argued that personal freedoms had to be protected and that it was “useless” to hold websites like The Pirate Bay accountable for links they provide.
• Another person urged the government to protect the public domain and fair dealing.
• An artist proposed expanding the definition of “artistic work” to include digital art and even artistic forms of work that have yet to be invented.
• One person proposed creating broad legislation based on principles that would continue to apply as technology changes.
• One poster suggested penalizing unauthorized file-sharers with heavy fines rather than protecting DRM.
• Several people felt that it would be impossible for laws to “withstand the test of time” when technology changes so quickly.

Innovation and Creativity

What sorts of copyright changes do you believe would best foster innovation and creativity in Canada?

September 13, 2009 (359 responses)

Many people argued for more copyright “freedom” in order to foster creativity such as a stronger public domain, expanded fair dealing, and shorter copyright terms. On the other hand, several posters argued that artists needed stronger copyright laws and protections. Others were concerned that government was bowing to pressure from big business.

• One person argued for net neutrality and an end to DRM.
• One person pointed out that Youtube enjoys a huge supply of free content and should pay creators for their content.
• One person was concerned that innovation in Canada would die if it became illegal to reverse engineer software or “hack” media.
• Another person argued that there should be exemptions for education and that the government should be financially supportive of innovation and creativity.
• A poster strongly supported expanding moral rights for artists.
• Another poster suggested that ISPs pay a licence fee for content.

Competition and Investment

What sorts of copyright changes do you believe would best foster competition and investment in Canada?

September 13, 2009 (72 responses)

Several posters argued anti-circumvention measures undermine competition and that copyright laws had to be fairer to individuals. Other posters proposed shortening copyright terms. Several people argued for net neutrality and a more open system.

• A poster argued that Canada was not falling behind in IP protection and was in fact doing better than many other Western nations. 
• One poster pointed out that Canada had to establish clear and consistent rules.
• Another person argued that expanding moral rights would lead to more innovation.

Digital Economy

What kinds of changes would best position Canada as a leader in the global, digital economy?

September 13, 2009 (457 responses)

• One poster urged Canadian copyright policy to embrace the ability to reproduce works in the digital age.
• One person argued that copyright should better protect artists rather than rights-holders.
• A poster cautioned the government against a DMCA approach to copyright, arguing that it could make his home theatre illegal.
• Several artists argued that creators deserved fair compensation.
• One poster proposed giving tax breaks to artists for their contributions.
• One person was concerned about the transparency in the ACTA negotiations and the way corporations seemed to dominate the Toronto Town Hall.
• One person proposed that the government intervene in contracts between distributors and creators in order to ensure that artists receive fair compensation.
• A poster argued that the “reality” of new media meant that consumers want protection for personal use rights such as format shifting and time shifting.

Throughout the copyright consultation, I've been assisted by University of Ottawa student Frances Munn, who has been tracking the discussion in the online forum (earlier updates here, here, and here).  While submissions will still be accepted until midnight tonight, the discussion forum is now closed.   The forum attracted over 2,000 comments with a summary posted below.


Copyright and You

How do Canada’s copyright laws affect you? How should existing laws be modernized?

September 13, 2009 (1183 responses)

Many posters spoke out against DRM and a three-strikes rule while also supporting more consumer rights such as fair use and personal copying and backup rights for legitimately purchased materials. In addition, many people were concerned about the unfair influence of big corporations in the copyright debate. As well, many artists argued that they had the right to be compensated for their work and that online file-sharing was theft. Finally, there were several philosophical discussions behind the meaning and definition of “copyright” in the Internet age.

• A poster discussed the idea of “culture” as a right rather than a privilege mostly enjoyed by the more advantaged and suggested instituting some sort of royalty tax system.
• One poster pointed out that “art” was not solely limited to people being paid to write or perform, and would endure even under open copyright laws.
• One discussion debated whether copyright terms should be shortened.
• One poster opposed Bill C-61, arguing that businesses should adapt to the new realities of file-sharing over the Internet.
• Another poster argued that musicians deserve to be compensated fairly and that it was difficult to make a decent living off live performances.
• One teacher pointed out that educators do not have the budgets to afford the high cost of using media in classrooms.
• Many posters were wary about following a U.S. model on copyright, pointing to high million dollar lawsuits for downloading a few songs.
• One poster worried about privacy violations that could occur if ISPs were given powers to control and collect information.
• Another person pointed to studies that show people who use P2P also buy more media.
• Many posters pointed out that they were satisfied with current laws and that they did not need to be updated.

Test of Time

Based on Canadian values and interests, how should copyright changes be made in order to withstand the test of time?

September 13, 2009 (175 responses)

• The most recent poster argued that copyright terms were too long, pointing to Microsoft Windows 3.1 as an example of software that would be obsolete by the time it entered the public domain.
• Another person was concerned about copyright laws that would lead to our culture being concentrated in the hands of a few powerful interests.
• One poster cautioned the government against enacting laws that will lead to punitive damages because the online community continues to develop better ways of encrypting data.
• Another poster said that Canada could learn from the mistakes of the American DMCA and avoid passing a similar reform bill with anti-circumvention provisions.
• One person argued that personal freedoms had to be protected and that it was “useless” to hold websites like The Pirate Bay accountable for links they provide.
• Another person urged the government to protect the public domain and fair dealing.
• An artist proposed expanding the definition of “artistic work” to include digital art and even artistic forms of work that have yet to be invented.
• One person proposed creating broad legislation based on principles that would continue to apply as technology changes.
• One poster suggested penalizing unauthorized file-sharers with heavy fines rather than protecting DRM.
• Several people felt that it would be impossible for laws to “withstand the test of time” when technology changes so quickly.

Innovation and Creativity

What sorts of copyright changes do you believe would best foster innovation and creativity in Canada?

September 13, 2009 (359 responses)

Many people argued for more copyright “freedom” in order to foster creativity such as a stronger public domain, expanded fair dealing, and shorter copyright terms. On the other hand, several posters argued that artists needed stronger copyright laws and protections. Others were concerned that government was bowing to pressure from big business.

• One person argued for net neutrality and an end to DRM.
• One person pointed out that Youtube enjoys a huge supply of free content and should pay creators for their content.
• One person was concerned that innovation in Canada would die if it became illegal to reverse engineer software or “hack” media.
• Another person argued that there should be exemptions for education and that the government should be financially supportive of innovation and creativity.
• A poster strongly supported expanding moral rights for artists.
• Another poster suggested that ISPs pay a licence fee for content.

Competition and Investment

What sorts of copyright changes do you believe would best foster competition and investment in Canada?

September 13, 2009 (72 responses)

Several posters argued anti-circumvention measures undermine competition and that copyright laws had to be fairer to individuals. Other posters proposed shortening copyright terms. Several people argued for net neutrality and a more open system.

• A poster argued that Canada was not falling behind in IP protection and was in fact doing better than many other Western nations. 
• One poster pointed out that Canada had to establish clear and consistent rules.
• Another person argued that expanding moral rights would lead to more innovation.

Digital Economy

What kinds of changes would best position Canada as a leader in the global, digital economy?

September 13, 2009 (457 responses)

• One poster urged Canadian copyright policy to embrace the ability to reproduce works in the digital age.
• One person argued that copyright should better protect artists rather than rights-holders.
• A poster cautioned the government against a DMCA approach to copyright, arguing that it could make his home theatre illegal.
• Several artists argued that creators deserved fair compensation.
• One poster proposed giving tax breaks to artists for their contributions.
• One person was concerned about the transparency in the ACTA negotiations and the way corporations seemed to dominate the Toronto Town Hall.
• One person proposed that the government intervene in contracts between distributors and creators in order to ensure that artists receive fair compensation.
• A poster argued that the “reality” of new media meant that consumers want protection for personal use rights such as format shifting and time shifting.

On this last day of the copyright consulation, I have been amazed by the number of people who have written recently with news of their submission posted on a blog or other site (examples here, here, here, here, here, here, and here).  The government reports that they have received over 5,000 submissions, but it is clear that number is going be higher by the end of the day. 

One of my favourite submissions comes from Wallace McLean, who focuses on public domain, archival, and photography issues.  While the submission is not yet online, he was kind enough to grant permission to post the charts below.  The first tracks the cumulative number sections of the Copyright Act that have been amended, added or repealed.  The second shows the cumulative number of copyright bills that have been introduced in Canada.  I think both charts speak for themselves – far from being an archaic law that never changes, copyright law in Canada has undergone considerable change, with the most dramatic reforms occurring over the past two decades.  The end of the consultation signals that these charts will continue to grow in the coming months, making it more important than ever to ensure that you speak out on copyright today (literally today).

On this last day of the copyright consulation, I have been amazed by the number of people who have written recently with news of their submission posted on a blog or other site (examples here, here, here, here, here, here, and here).  The government reports that they have received over 5,000 submissions, but it is clear that number is going be higher by the end of the day. 

One of my favourite submissions comes from Wallace McLean, who focuses on public domain, archival, and photography issues.  While the submission is not yet online, he was kind enough to grant permission to post the charts below.  The first tracks the cumulative number sections of the Copyright Act that have been amended, added or repealed.  The second shows the cumulative number of copyright bills that have been introduced in Canada.  I think both charts speak for themselves – far from being an archaic law that never changes, copyright law in Canada has undergone considerable change, with the most dramatic reforms occurring over the past two decades.  The end of the consultation signals that these charts will continue to grow in the coming months, making it more important than ever to ensure that you speak out on copyright today (literally today).

For the past several weeks, I have been summarizing the thousands of copyright consultation submissions.  With only three days left in the consultation, it is time to post my full submission (a short version was posted at the very start of the consultation).  It can be downloaded in PDF form or viewed below.  It only takes a single email to register your views.  Whether you use a form letter or craft your own submission, every submission counts.  Speak out on copyright today.

Copyright Consultation Submission

My name is Michael Geist.  I am a law professor at the University of Ottawa, Faculty of Law, where I hold the Canada Research Chair in Internet and E-commerce Law.  I am also a syndicated weekly columnist on law and technology issues for the Toronto Star and the Ottawa Citizen. 

I have been actively engaged on copyright reform issues for many years.  In 2005, I edited In the Public Interest: The Future of Canadian Copyright Law, an 18-essay collection that assessed Bill C-60.  I provided extensive commentary on Bill C-61 on my blog with dozens of postings examining virtually every major provision in the bill.  I have appeared before several Parliamentary committees on copyright issues and I founded the Fair Copyright for Canada Facebook group, which grew to more than 92,000 members in the weeks following the introduction of the bill.  In the fall of 2008, I released Why Copyright?, a documentary film co-produced with Daniel Albahary that featured interviews with a wide range of Canadians on the issue of copyright reform.

I was grateful for the opportunity to participate at the copyright roundtable held in Gatineau, Quebec this past July.  This submission supplements those comments with additional specifics on recommended reforms.  My comments are provided in my personal capacity as a Canadian with a keen interest in the future of Canadian copyright.

Copyright Reform Process

Before addressing the consultation questions, I have two comments about process.  First, thank you to Industry Minister Clement and Canadian Heritage Minister Moore for launching this consultation.  As promised, it has been fair, transparent, and accessible to all Canadians. 

Second, this consultation should be viewed as the start of an ongoing process to craft Canadian copyright law.  Once a bill is tabled, it is essential that Canadians again have the opportunity to register their views through an open, comprehensive committee process.  Moreover, Canadians should determine the shape and scope of Canadian copyright law.  International treaty negotiations, particularly the ongoing Anti-Counterfeiting Trade Agreement discussions, should not effectively pre-determine domestic reforms.  The ACTA negotiations have generated considerable concern among many Canadians and the government should demand that those negotiations be conducted in an open manner with the release of draft text for public comment.

Why does copyright matter?

The consultation’s first question is also the most personal since the answer will be different for almost everyone. 

For me, copyright matters because I am a professor and my students need access to copyrighted materials and the freedom to use those materials.  It matters because I am a researcher who needs assurance that as materials are archived they will not be locked down under digital rights management.  It matters because I am deeply concerned about privacy and fear that DRM could be harmful to my personal privacy.  It matters because I have created videos and need flexibility in the law to allow for remix and transformed works and do not want my content taken down from the Internet based on unproven claims.  It matters because I am a writer and I need certainty of access to speak freely.  It matters because I am a consumer of digital entertainment and I want the law to reasonably reflect the right to view the content on the device of my choice.  It matters because I am a parent whose children have only known life with the Internet and I want to ensure that they experience all the digital world has to offer.  It matters because I live in a city with a strong connection to the digital economy and we need forward-looking laws to allow the next generation of companies to thrive.  It matters because I am a proud Canadian who wants laws based not on external political pressure, but rather on the best interest of millions of Canadians.

How to remain relevant?

Developing copyright law principles that remain relevant years from now is unquestionably a difficult challenge.  With references to VHS tapes and the decision to block network-based PVR services, Bill C-61 was outdated the moment it was introduced. In order to introduce legislation that will stand the test of time, the government needs a principle-based, forward-looking approach.  I would argue that there are four essential ingredients.

First, copyright law should strive for balance between creator rights and users’ rights.  If the law tilts too far in one direction, the other side is virtually guaranteed to put the issue of reform back on the table and the changes do not last. 

Second, the law must be technologically neutral.  Copyright has proven remarkably resilient over the decades in large measure because it states broad principles about the scope and limits of protection.  If copyright veers too far toward specific technologies by mandating new protection for specific business models or technological innovations, those rules risk being overtaken as the technologies and marketplace evolve.

Third, the law should strive for simplification and clarity.  Copyright may once have been a niche issue understood by a small number of experts, yet today it affects the daily lives of millions of Canadians.  If Canadians are to respect the law, they must first understand it.  When Bill C-61 proposed a 12-part test to determine whether recording a television program was legal, it rendered the law far too complex for the average person.

Fourth, the law should embrace flexibility, which has allowed many copyright provisions to adapt to continually changing economic and technology environments. Flexibility takes a general purpose law and ensures that it works for stakeholders across the spectrum, whether documentary film makers, musicians, teachers, researchers, businesses, or consumers.

Flexibility applies not only domestically but at the international level as well.  The same challenges we face on the domestic front are only magnified at the international level in treaties.  That means that those treaties – particularly the WIPO Internet treaties – are more flexible that is often appreciated.  Compliance with those treaties can be achieved in many ways and following a single model – such as the U.S. DMCA – is not needed to meet the standard.

What to do?

The final three consultation questions really ask the same thing with slightly altered perspectives – what should we do to foster innovation and creativity, competition and investment, and to position the country as a leader in the digital world.  At its heart, each of these questions is asking for comments on proposed reforms that are forward-looking and ensure that the goals of innovation, creativity, and marketplace success are met.  While it is possible to answer each individually, there is considerable overlap.  For example, a more flexible fair dealing provision has benefits for innovation, for creativity, for competition, and for the digital economy. The same is true for anti-circumvention provisions that retain the copyright balance.

In an ideal world, we might start from scratch to create a law that truly makes sense in the current environment.  We are not starting from scratch, however.  The reality is that there is an international context with treaties we have ratified (Berne Convention) and treaties we have signed but not yet implemented ((WIPO Internet treaties). Moreover, there is a domestic context, with Bill C-61 surely used as reference point. 

My response focuses on seven areas of copyright reform.

1.    Flexible Fair Dealing

Expand the fair dealing provision by adding flexibility through the addition of “such as” to the current wording. 

Led by the United States, several countries around the world have established fair use provisions within their copyright laws (Israel being the most recent).  Fair use does not mean free use – rather, it means that there is a balance that allows certain uses of works without permission so long as the use is fair.  The Supreme Court of Canada has already ruled that Canada’s fair dealing provision must be interpreted in a broad and liberal manner. Yet the law currently includes a limited number of categories (research, private study, criticism, news reporting, and review) that renders many everyday activities illegal.  The ideal remedy to address other categories such as parody, time shifting, and device shifting is to make the current list of categories illustrative rather than exhaustive.  This can be best achieved by adding the words “such as” to the current provision.  This would be a clean, technology-neutral approach.

In the event that specific new fair dealing exceptions are required (either directly within the statute or to provide guidance on the new flexible provision), key exceptions to address include:

1. Parody and Satire
2. Time Shifting
3. Format Shifting
4. Music Shifting
5. Teaching

2.    The Anti-Circumvention Provisions

Anti-circumvention provisions must be directly linked to copyright infringement. 

The anti-circumvention provisions have been by far the most controversial element of recent attempts at Canadian copyright reform.  The experience in the United States, where anti-circumvention provisions effectively trump fair use rights, provides the paradigm example of what not do to.  It should only be a violation of the law to circumvent a technological protection measure (TPM) if the underlying purpose is to infringe copyright. Circumvention should be permitted to access a work for fair dealing, private copying, or any other legal purposes.  This approach – which is similar (though not identical) to the failed Bill C-60 – would allow Canada to implement the World Intellectual Property Organization’s Internet treaties and avoid some of the negative “unintended consequences” that have arisen under the DMCA.

The need for the link between anti-circumvention for the purpose of copyright infringement is crucial since to do otherwise goes far beyond what is needed to comply with the WIPO Internet treaties and ultimately has the effect of eviscerating fair dealing in the digital environment. 

Indeed, using a C-61 style approach to anti-circumvention necessitates a myriad of exceptions.  These include exceptions for:

• Circumvention of cell phone locks
• Fair Dealing
• Court cases, laws, and government documents
• Personal uses
• Digital archiving
• Teaching
• Protection of Minors
• Software filtering programs
• Obsolete or broken digital locks
• Non-infringing access
• Research
• Interoperability
• Privacy
• Perceptual disabilities

Many of these exceptions were missing from C-61.  Should the government decide to re-introduce the C-61, exception-based approach to anti-circumvention, these additional exceptions should be included.

No ban on devices that can be used to circumvent a TPM, provided that it has non-infringing uses. 

Canada should not ban devices that can be used to circumvent a TPM.  The reason is obvious – if Canadians cannot access the tools necessary to exercise their user rights under the Copyright Act, those rights are effectively extinguished.  If organizations are permitted to use TPMs to lock down content that threatens fair dealing, Canadians should have the right to access and use technologies that restores the copyright balance.

From a WIPO ratification perspective, there is no requirement for this provision.  Indeed, Bill C-60 provided a model that did not touch devices themselves, choosing instead to target conduct involving circumvention for the purposes of copyright infringement.  By removing the unnecessary ban on devices that can be used to circumvent, there is a greater likelihood that Canadians would have access to programs that could be used to retain their existing rights and protect their privacy.

Create authorized circumventers

The removal of the provisions that target the legality of circumvention devices is one way to help ensure that the law does not eliminate basic copyright user rights.  There are other approaches, however, that can be introduced in tandem with that change. New Zealand's recent copyright law reforms introduced the concept of "qualified circumventers." The law grants special rights to trusted third parties who are permitted to circumvent on behalf of other users who are entitled to circumvent but technically unable to do so.  The current list of qualified circumventers includes librarians, archivists, and educational institutions. This approach rightly recognizes that many people will be unable to effectively use the exceptions inserted into the law.  By creating a class of trusted circumventers, the law creates at least one mechanism to ensure that users retain their existing copyright rights.

Establish a Positive Requirement to Unlock for Exceptions/Right of Access

Many countries have recognized the danger that combination of DRM and anti-circumvention legislation may effectively eliminate user rights or copyright exceptions in the digital environment.  Creating exceptions is one way to address the issue, but another is to adopt an approach of "with rights come responsibilities."  In this case, if companies obtain new legal rights for DRM, they must also shoulder the responsibility of unlocking their content when requested to do so by users for legal purposes.  This is a common theme in copyright laws around the world, which often identify courts, tribunals or mediators as the source to ensure that rights holders do not use DRM to eliminate user rights.

3.    The Intermediary Provisions

Establish a legal safe harbour for Internet intermediaries supported by a “notice and notice” takedown system

The creation of a legal safe harbour that protects Internet intermediaries from liability for the actions of their users is critically important to foster a robust and vibrant online world.  Indeed, without such protections, intermediaries (which include Internet service providers, search engines, video sites, blog hosts, and individual bloggers) frequently remove legitimate content in the face of legal threats.  Canadian law should include an explicit safe harbour that insulates intermediaries from liability where they follow a prescribed model that balances the interests of users and content owners.  The ideal Canadian model would be a “notice and notice” system that has been used successfully for many years on an informal basis.

Establish a Useful Provision for ILTs

The inclusion of "Information Location Tool Providers" (ie. search engines) provisions in Bill C-61 was a bit of a surprise. By far the most problematic aspect of the ILT provisions was the creation of a notice-and-takedown system for search engines.  Unlike ISPs – who were subject to the more-balanced notice-and-notice approach – ILTs were effectively subject to a notice-and-takedown system without any of the counter-notification or balancing provisions contained in the U.S. DMCA. Bill C-61 created a parallel notice and takedown system for ILTs since section 41.27(2)(f) limited the availability of the safe harbour to instances where no notification of copyright infringement has been received.  This would have effectively forced ILTs to remove content upon notification since failure to do so risked potential liability. 
While a notice-and-takedown approach for ILTs was bad enough, it was made worse by the absence of any balancing provisions.  For example, the U.S. DMCA includes a "counter-notification" provision that allows for the re-posting of content that has been taken down.  There was no such provision in C-61, meaning that the ILT provisions were ripe for abuse. There are benefits to creating an ILT safe harbour, but they should not incorporate a notice-and-takedown requirement.

Reject A Three-Strikes and You’re Out System

Several countries have begun to consider establishing a “three-strikes and you’re out system” that removes Internet access based on unproven allegations of infringement. Attempts at three-strikes systems have struck out in virtually every country where they have been raised. Internet access is far too important to establish a system that would cut off access based on unproven allegations of infringement.  The proposals raise a host of due process and constitutional concerns and should be rejected as a possible alternative for Canada.

4.    Modernize the Law

Modernize the backup copy provision

As part of a major set of copyright reforms in 1988, Canadian copyright law was amended to allow for the making of backup copies of computer programs. In 1988, backing up digital data meant backing up software programs.  Today, digital data includes CDs, DVDs, and video games.  All of these products suffer from the same frailties as software programs, namely the ease with which hard drives become corrupted or CDs and DVDs scratched and non-functional.  From a policy perspective, the issue is the same – ensuring that consumers have a simple way to protect their investment. "Modernizing" copyright law should include bringing this provision into the 21st century by expanding the right to make a backup copy to all digital consumer products.

Rationalize the Statutory Damages Provision

Canada is one of the only countries in the world to have a statutory damages provision.  It creates the prospect of massive liability – up to $20,000 per infringement – without any evidence of actual loss.  This system may have been designed for commercial-scale infringement, but its primary use today is found in the U.S. where statutory damages led to the massive liability for several peer-to-peer file sharing defendants and leaves many with little option but onerous settlement.  Before Canada faces similar developments, we should amend the statutory damages provision by clarifying that it only applies in cases of commercial gain. Moreover, the provision should not apply where the infringer had a good faith belief that the alleged infringement was fair dealing.

5.    Enhance the Public Domain

Do not harm the public domain with copyright term extension

While some countries have extended the term of copyright beyond the Berne Convention requirement of life of the author plus 50 years, there is no compelling reason – either from an economic, creativity, or innovation perspective – to extend the term.  Indeed, there are strong arguments that harming the public domain would have the opposite effect. The government should make a clear commitment not to extend any further.  Moreover, it should identify a presumed public domain date (based on birth date and reasonable life expectancy) to facilitate digitization of Canadian heritage.

Abolish Crown Copyright

Dating back to the 1700s, crown copyright reflects a centuries-old perspective that the government ought to control the public's ability to use official documents.  Today crown copyright extends for fifty years from creation and it requires anyone who wants to use or republish a government report, parliamentary hearing, or other work to first seek permission.  While permission is often granted, it is not automatic. The Canadian approach stands in sharp contrast to the situation in the U.S. where the federal government does not hold copyright over work created by an officer or employee as part of that person's official duties.  Government reports, court cases, and Congressional transcripts can therefore be freely used and published.

The existence of crown copyright affects both the print and audio-visual worlds and is increasingly viewed as a barrier to Canadian film making, political advocacy, and educational publishing. Beyond the policy reasons for abandoning crown copyright, there are financial reasons for reforms.  The federal crown copyright system costs taxpayers hundreds of thousands of dollars.  Documents from Public Works and Government Services Canada, which administers the crown copyright system, reveal that in the 2006-7 fiscal year, crown copyright licensing generated less than $7,000 in revenue, yet the system cost over $200,000 to administer. In most instances, Canadians obtain little return for this investment.  Ninety-five percent of crown copyright requests are approved, with requests ranging from archival photos to copies of the Copyright Act.

Given the significant costs associated with a program that does more harm than good, any new copyright reform should eliminate crown copyright and adopt in its place a presumption that government materials belong to the public domain to be freely used without prior permission or compensation.

6.    Effective Library and Education Provisions

Do Not Implement An Internet Exception for Education

One of the most controversial aspects of Bill C-61 was the inclusion of special educational Internet exception.  The provision split the education community, generating support from some education groups and opposition from others. I do not believe that the exception is either necessary or equitable.  The law already permits many educational uses of Internet materials without compensation. The educational Internet exception should be dropped in favour of a more flexible fair dealing provision discussed above that treats educators, creators, and all Canadians in an equitable manner.

In fact, the Internet exception was more than just unnecessary – it was harmful.  First, rather than improving access, the exception would have encouraged people to take content offline or to erect barriers that limit access (including DRM).  Many website owners who may be entirely comfortable with non-commercial or limited educational use of their materials, may object to a new law that grants the education community unfettered (and uncompensated) usage rights.  Accordingly, many sites may opt out of the exception by making their work unavailable to everyone.  This is obviously a lose-lose scenario that arises directly out of the exception.

Second, the implication of the exception was that using publicly-available Internet materials is not permitted unless one has prior authorization or qualifies for the exception.  This suggests that millions of Canadians outside the education system who use Internet-based materials are somehow violating the law.  This is simply wrong – an enormous amount of online content is intended for public use or qualifies as fair dealing – and to imply otherwise sends the wrong message.  Indeed, many of the concerns expressed by the education community apply equally to other groups who do not qualify for the exception. Third, the exception may have violated international law.  There are doubts that the provision complied with Canada’s existing obligations under the Berne Convention, the world's foremost international copyright treaty.  Given that the exception raised these real harms, it should scrapped by moving toward a flexible fair dealing provision.

Library Provisions Should Rely on Fair Dealing

E-reserves are the electronic equivalent of the traditional library book reserves – books or materials that a professor places on reserve in the library so that it is accessible to the entire class. In the aftermath of the LSUC v. CCH Supreme Court of Canada decision, a growing number of universities began to establish (or consider establishing) e-reserve policies based on fair dealing. Most libraries had traditionally sought licenses for the use of electronic copies of these additional research and reading materials, yet the frustration of lengthy delays and the CCH case spurred many to think about a fair dealing based approach.  For example, the University of Calgary has established an e-reserve policy that links to accessible online content and scans print material that qualifies as fair dealing. The move toward fair dealing based e-reserve policies have been gaining momentum in Canada, yet Bill C-61 tried to steer libraries in a different direction as the bill includes a specific provision that promotes a license-based approach.  New legislation should reverse that course by emphasizing the benefits of a fair dealing model.

7.    Contract and Copyright

The use of contractual terms to effectively void privacy protection or basic copyright user rights has become all too common with cases such as the Sony rootkit providing a classic example of how contractual terms that quash important legal rights are buried beneath the "I agree" button.

Governments are understandably loath to intervene in privately negotiated contracts.  However, not every contract or contractual term is enforceable – there are certain terms (and certain contracts) which run counter to important public policy goals that will often be rendered unenforceable by a sympathetic court.  On this particular issue, we should not wait for the courts to intervene.  Rather, Canada should identify the core protections and policies that underlie the copyright balance and establish rules that prohibit attempts to "contract out" of such terms.

For the past several weeks, I have been summarizing the thousands of copyright consultation submissions.  With only three days left in the consultation, it is time to post my full submission (a short version was posted at the very start of the consultation).  It can be downloaded in PDF form or viewed below.  It only takes a single email to register your views.  Whether you use a form letter or craft your own submission, every submission counts.  Speak out on copyright today.

Copyright Consultation Submission

My name is Michael Geist.  I am a law professor at the University of Ottawa, Faculty of Law, where I hold the Canada Research Chair in Internet and E-commerce Law.  I am also a syndicated weekly columnist on law and technology issues for the Toronto Star and the Ottawa Citizen. 

I have been actively engaged on copyright reform issues for many years.  In 2005, I edited In the Public Interest: The Future of Canadian Copyright Law, an 18-essay collection that assessed Bill C-60.  I provided extensive commentary on Bill C-61 on my blog with dozens of postings examining virtually every major provision in the bill.  I have appeared before several Parliamentary committees on copyright issues and I founded the Fair Copyright for Canada Facebook group, which grew to more than 92,000 members in the weeks following the introduction of the bill.  In the fall of 2008, I released Why Copyright?, a documentary film co-produced with Daniel Albahary that featured interviews with a wide range of Canadians on the issue of copyright reform.

I was grateful for the opportunity to participate at the copyright roundtable held in Gatineau, Quebec this past July.  This submission supplements those comments with additional specifics on recommended reforms.  My comments are provided in my personal capacity as a Canadian with a keen interest in the future of Canadian copyright.

Copyright Reform Process

Before addressing the consultation questions, I have two comments about process.  First, thank you to Industry Minister Clement and Canadian Heritage Minister Moore for launching this consultation.  As promised, it has been fair, transparent, and accessible to all Canadians. 

Second, this consultation should be viewed as the start of an ongoing process to craft Canadian copyright law.  Once a bill is tabled, it is essential that Canadians again have the opportunity to register their views through an open, comprehensive committee process.  Moreover, Canadians should determine the shape and scope of Canadian copyright law.  International treaty negotiations, particularly the ongoing Anti-Counterfeiting Trade Agreement discussions, should not effectively pre-determine domestic reforms.  The ACTA negotiations have generated considerable concern among many Canadians and the government should demand that those negotiations be conducted in an open manner with the release of draft text for public comment.

Why does copyright matter?

The consultation’s first question is also the most personal since the answer will be different for almost everyone. 

For me, copyright matters because I am a professor and my students need access to copyrighted materials and the freedom to use those materials.  It matters because I am a researcher who needs assurance that as materials are archived they will not be locked down under digital rights management.  It matters because I am deeply concerned about privacy and fear that DRM could be harmful to my personal privacy.  It matters because I have created videos and need flexibility in the law to allow for remix and transformed works and do not want my content taken down from the Internet based on unproven claims.  It matters because I am a writer and I need certainty of access to speak freely.  It matters because I am a consumer of digital entertainment and I want the law to reasonably reflect the right to view the content on the device of my choice.  It matters because I am a parent whose children have only known life with the Internet and I want to ensure that they experience all the digital world has to offer.  It matters because I live in a city with a strong connection to the digital economy and we need forward-looking laws to allow the next generation of companies to thrive.  It matters because I am a proud Canadian who wants laws based not on external political pressure, but rather on the best interest of millions of Canadians.

How to remain relevant?

Developing copyright law principles that remain relevant years from now is unquestionably a difficult challenge.  With references to VHS tapes and the decision to block network-based PVR services, Bill C-61 was outdated the moment it was introduced. In order to introduce legislation that will stand the test of time, the government needs a principle-based, forward-looking approach.  I would argue that there are four essential ingredients.

First, copyright law should strive for balance between creator rights and users’ rights.  If the law tilts too far in one direction, the other side is virtually guaranteed to put the issue of reform back on the table and the changes do not last. 

Second, the law must be technologically neutral.  Copyright has proven remarkably resilient over the decades in large measure because it states broad principles about the scope and limits of protection.  If copyright veers too far toward specific technologies by mandating new protection for specific business models or technological innovations, those rules risk being overtaken as the technologies and marketplace evolve.

Third, the law should strive for simplification and clarity.  Copyright may once have been a niche issue understood by a small number of experts, yet today it affects the daily lives of millions of Canadians.  If Canadians are to respect the law, they must first understand it.  When Bill C-61 proposed a 12-part test to determine whether recording a television program was legal, it rendered the law far too complex for the average person.

Fourth, the law should embrace flexibility, which has allowed many copyright provisions to adapt to continually changing economic and technology environments. Flexibility takes a general purpose law and ensures that it works for stakeholders across the spectrum, whether documentary film makers, musicians, teachers, researchers, businesses, or consumers.

Flexibility applies not only domestically but at the international level as well.  The same challenges we face on the domestic front are only magnified at the international level in treaties.  That means that those treaties – particularly the WIPO Internet treaties – are more flexible that is often appreciated.  Compliance with those treaties can be achieved in many ways and following a single model – such as the U.S. DMCA – is not needed to meet the standard.

What to do?

The final three consultation questions really ask the same thing with slightly altered perspectives – what should we do to foster innovation and creativity, competition and investment, and to position the country as a leader in the digital world.  At its heart, each of these questions is asking for comments on proposed reforms that are forward-looking and ensure that the goals of innovation, creativity, and marketplace success are met.  While it is possible to answer each individually, there is considerable overlap.  For example, a more flexible fair dealing provision has benefits for innovation, for creativity, for competition, and for the digital economy. The same is true for anti-circumvention provisions that retain the copyright balance.

In an ideal world, we might start from scratch to create a law that truly makes sense in the current environment.  We are not starting from scratch, however.  The reality is that there is an international context with treaties we have ratified (Berne Convention) and treaties we have signed but not yet implemented ((WIPO Internet treaties). Moreover, there is a domestic context, with Bill C-61 surely used as reference point. 

My response focuses on seven areas of copyright reform.

1.    Flexible Fair Dealing

Expand the fair dealing provision by adding flexibility through the addition of “such as” to the current wording. 

Led by the United States, several countries around the world have established fair use provisions within their copyright laws (Israel being the most recent).  Fair use does not mean free use – rather, it means that there is a balance that allows certain uses of works without permission so long as the use is fair.  The Supreme Court of Canada has already ruled that Canada’s fair dealing provision must be interpreted in a broad and liberal manner. Yet the law currently includes a limited number of categories (research, private study, criticism, news reporting, and review) that renders many everyday activities illegal.  The ideal remedy to address other categories such as parody, time shifting, and device shifting is to make the current list of categories illustrative rather than exhaustive.  This can be best achieved by adding the words “such as” to the current provision.  This would be a clean, technology-neutral approach.

In the event that specific new fair dealing exceptions are required (either directly within the statute or to provide guidance on the new flexible provision), key exceptions to address include:

1. Parody and Satire
2. Time Shifting
3. Format Shifting
4. Music Shifting
5. Teaching

2.    The Anti-Circumvention Provisions

Anti-circumvention provisions must be directly linked to copyright infringement. 

The anti-circumvention provisions have been by far the most controversial element of recent attempts at Canadian copyright reform.  The experience in the United States, where anti-circumvention provisions effectively trump fair use rights, provides the paradigm example of what not do to.  It should only be a violation of the law to circumvent a technological protection measure (TPM) if the underlying purpose is to infringe copyright. Circumvention should be permitted to access a work for fair dealing, private copying, or any other legal purposes.  This approach – which is similar (though not identical) to the failed Bill C-60 – would allow Canada to implement the World Intellectual Property Organization’s Internet treaties and avoid some of the negative “unintended consequences” that have arisen under the DMCA.

The need for the link between anti-circumvention for the purpose of copyright infringement is crucial since to do otherwise goes far beyond what is needed to comply with the WIPO Internet treaties and ultimately has the effect of eviscerating fair dealing in the digital environment. 

Indeed, using a C-61 style approach to anti-circumvention necessitates a myriad of exceptions.  These include exceptions for:

• Circumvention of cell phone locks
• Fair Dealing
• Court cases, laws, and government documents
• Personal uses
• Digital archiving
• Teaching
• Protection of Minors
• Software filtering programs
• Obsolete or broken digital locks
• Non-infringing access
• Research
• Interoperability
• Privacy
• Perceptual disabilities

Many of these exceptions were missing from C-61.  Should the government decide to re-introduce the C-61, exception-based approach to anti-circumvention, these additional exceptions should be included.

No ban on devices that can be used to circumvent a TPM, provided that it has non-infringing uses. 

Canada should not ban devices that can be used to circumvent a TPM.  The reason is obvious – if Canadians cannot access the tools necessary to exercise their user rights under the Copyright Act, those rights are effectively extinguished.  If organizations are permitted to use TPMs to lock down content that threatens fair dealing, Canadians should have the right to access and use technologies that restores the copyright balance.

From a WIPO ratification perspective, there is no requirement for this provision.  Indeed, Bill C-60 provided a model that did not touch devices themselves, choosing instead to target conduct involving circumvention for the purposes of copyright infringement.  By removing the unnecessary ban on devices that can be used to circumvent, there is a greater likelihood that Canadians would have access to programs that could be used to retain their existing rights and protect their privacy.

Create authorized circumventers

The removal of the provisions that target the legality of circumvention devices is one way to help ensure that the law does not eliminate basic copyright user rights.  There are other approaches, however, that can be introduced in tandem with that change. New Zealand's recent copyright law reforms introduced the concept of "qualified circumventers." The law grants special rights to trusted third parties who are permitted to circumvent on behalf of other users who are entitled to circumvent but technically unable to do so.  The current list of qualified circumventers includes librarians, archivists, and educational institutions. This approach rightly recognizes that many people will be unable to effectively use the exceptions inserted into the law.  By creating a class of trusted circumventers, the law creates at least one mechanism to ensure that users retain their existing copyright rights.

Establish a Positive Requirement to Unlock for Exceptions/Right of Access

Many countries have recognized the danger that combination of DRM and anti-circumvention legislation may effectively eliminate user rights or copyright exceptions in the digital environment.  Creating exceptions is one way to address the issue, but another is to adopt an approach of "with rights come responsibilities."  In this case, if companies obtain new legal rights for DRM, they must also shoulder the responsibility of unlocking their content when requested to do so by users for legal purposes.  This is a common theme in copyright laws around the world, which often identify courts, tribunals or mediators as the source to ensure that rights holders do not use DRM to eliminate user rights.

3.    The Intermediary Provisions

Establish a legal safe harbour for Internet intermediaries supported by a “notice and notice” takedown system

The creation of a legal safe harbour that protects Internet intermediaries from liability for the actions of their users is critically important to foster a robust and vibrant online world.  Indeed, without such protections, intermediaries (which include Internet service providers, search engines, video sites, blog hosts, and individual bloggers) frequently remove legitimate content in the face of legal threats.  Canadian law should include an explicit safe harbour that insulates intermediaries from liability where they follow a prescribed model that balances the interests of users and content owners.  The ideal Canadian model would be a “notice and notice” system that has been used successfully for many years on an informal basis.

Establish a Useful Provision for ILTs

The inclusion of "Information Location Tool Providers" (ie. search engines) provisions in Bill C-61 was a bit of a surprise. By far the most problematic aspect of the ILT provisions was the creation of a notice-and-takedown system for search engines.  Unlike ISPs – who were subject to the more-balanced notice-and-notice approach – ILTs were effectively subject to a notice-and-takedown system without any of the counter-notification or balancing provisions contained in the U.S. DMCA. Bill C-61 created a parallel notice and takedown system for ILTs since section 41.27(2)(f) limited the availability of the safe harbour to instances where no notification of copyright infringement has been received.  This would have effectively forced ILTs to remove content upon notification since failure to do so risked potential liability. 
While a notice-and-takedown approach for ILTs was bad enough, it was made worse by the absence of any balancing provisions.  For example, the U.S. DMCA includes a "counter-notification" provision that allows for the re-posting of content that has been taken down.  There was no such provision in C-61, meaning that the ILT provisions were ripe for abuse. There are benefits to creating an ILT safe harbour, but they should not incorporate a notice-and-takedown requirement.

Reject A Three-Strikes and You’re Out System

Several countries have begun to consider establishing a “three-strikes and you’re out system” that removes Internet access based on unproven allegations of infringement. Attempts at three-strikes systems have struck out in virtually every country where they have been raised. Internet access is far too important to establish a system that would cut off access based on unproven allegations of infringement.  The proposals raise a host of due process and constitutional concerns and should be rejected as a possible alternative for Canada.

4.    Modernize the Law

Modernize the backup copy provision

As part of a major set of copyright reforms in 1988, Canadian copyright law was amended to allow for the making of backup copies of computer programs. In 1988, backing up digital data meant backing up software programs.  Today, digital data includes CDs, DVDs, and video games.  All of these products suffer from the same frailties as software programs, namely the ease with which hard drives become corrupted or CDs and DVDs scratched and non-functional.  From a policy perspective, the issue is the same – ensuring that consumers have a simple way to protect their investment. "Modernizing" copyright law should include bringing this provision into the 21st century by expanding the right to make a backup copy to all digital consumer products.

Rationalize the Statutory Damages Provision

Canada is one of the only countries in the world to have a statutory damages provision.  It creates the prospect of massive liability – up to $20,000 per infringement – without any evidence of actual loss.  This system may have been designed for commercial-scale infringement, but its primary use today is found in the U.S. where statutory damages led to the massive liability for several peer-to-peer file sharing defendants and leaves many with little option but onerous settlement.  Before Canada faces similar developments, we should amend the statutory damages provision by clarifying that it only applies in cases of commercial gain. Moreover, the provision should not apply where the infringer had a good faith belief that the alleged infringement was fair dealing.

5.    Enhance the Public Domain

Do not harm the public domain with copyright term extension

While some countries have extended the term of copyright beyond the Berne Convention requirement of life of the author plus 50 years, there is no compelling reason – either from an economic, creativity, or innovation perspective – to extend the term.  Indeed, there are strong arguments that harming the public domain would have the opposite effect. The government should make a clear commitment not to extend any further.  Moreover, it should identify a presumed public domain date (based on birth date and reasonable life expectancy) to facilitate digitization of Canadian heritage.

Abolish Crown Copyright

Dating back to the 1700s, crown copyright reflects a centuries-old perspective that the government ought to control the public's ability to use official documents.  Today crown copyright extends for fifty years from creation and it requires anyone who wants to use or republish a government report, parliamentary hearing, or other work to first seek permission.  While permission is often granted, it is not automatic. The Canadian approach stands in sharp contrast to the situation in the U.S. where the federal government does not hold copyright over work created by an officer or employee as part of that person's official duties.  Government reports, court cases, and Congressional transcripts can therefore be freely used and published.

The existence of crown copyright affects both the print and audio-visual worlds and is increasingly viewed as a barrier to Canadian film making, political advocacy, and educational publishing. Beyond the policy reasons for abandoning crown copyright, there are financial reasons for reforms.  The federal crown copyright system costs taxpayers hundreds of thousands of dollars.  Documents from Public Works and Government Services Canada, which administers the crown copyright system, reveal that in the 2006-7 fiscal year, crown copyright licensing generated less than $7,000 in revenue, yet the system cost over $200,000 to administer. In most instances, Canadians obtain little return for this investment.  Ninety-five percent of crown copyright requests are approved, with requests ranging from archival photos to copies of the Copyright Act.

Given the significant costs associated with a program that does more harm than good, any new copyright reform should eliminate crown copyright and adopt in its place a presumption that government materials belong to the public domain to be freely used without prior permission or compensation.

6.    Effective Library and Education Provisions

Do Not Implement An Internet Exception for Education

One of the most controversial aspects of Bill C-61 was the inclusion of special educational Internet exception.  The provision split the education community, generating support from some education groups and opposition from others. I do not believe that the exception is either necessary or equitable.  The law already permits many educational uses of Internet materials without compensation. The educational Internet exception should be dropped in favour of a more flexible fair dealing provision discussed above that treats educators, creators, and all Canadians in an equitable manner.

In fact, the Internet exception was more than just unnecessary – it was harmful.  First, rather than improving access, the exception would have encouraged people to take content offline or to erect barriers that limit access (including DRM).  Many website owners who may be entirely comfortable with non-commercial or limited educational use of their materials, may object to a new law that grants the education community unfettered (and uncompensated) usage rights.  Accordingly, many sites may opt out of the exception by making their work unavailable to everyone.  This is obviously a lose-lose scenario that arises directly out of the exception.

Second, the implication of the exception was that using publicly-available Internet materials is not permitted unless one has prior authorization or qualifies for the exception.  This suggests that millions of Canadians outside the education system who use Internet-based materials are somehow violating the law.  This is simply wrong – an enormous amount of online content is intended for public use or qualifies as fair dealing – and to imply otherwise sends the wrong message.  Indeed, many of the concerns expressed by the education community apply equally to other groups who do not qualify for the exception. Third, the exception may have violated international law.  There are doubts that the provision complied with Canada’s existing obligations under the Berne Convention, the world's foremost international copyright treaty.  Given that the exception raised these real harms, it should scrapped by moving toward a flexible fair dealing provision.

Library Provisions Should Rely on Fair Dealing

E-reserves are the electronic equivalent of the traditional library book reserves – books or materials that a professor places on reserve in the library so that it is accessible to the entire class. In the aftermath of the LSUC v. CCH Supreme Court of Canada decision, a growing number of universities began to establish (or consider establishing) e-reserve policies based on fair dealing. Most libraries had traditionally sought licenses for the use of electronic copies of these additional research and reading materials, yet the frustration of lengthy delays and the CCH case spurred many to think about a fair dealing based approach.  For example, the University of Calgary has established an e-reserve policy that links to accessible online content and scans print material that qualifies as fair dealing. The move toward fair dealing based e-reserve policies have been gaining momentum in Canada, yet Bill C-61 tried to steer libraries in a different direction as the bill includes a specific provision that promotes a license-based approach.  New legislation should reverse that course by emphasizing the benefits of a fair dealing model.

7.    Contract and Copyright

The use of contractual terms to effectively void privacy protection or basic copyright user rights has become all too common with cases such as the Sony rootkit providing a classic example of how contractual terms that quash important legal rights are buried beneath the "I agree" button.

Governments are understandably loath to intervene in privately negotiated contracts.  However, not every contract or contractual term is enforceable – there are certain terms (and certain contracts) which run counter to important public policy goals that will often be rendered unenforceable by a sympathetic court.  On this particular issue, we should not wait for the courts to intervene.  Rather, Canada should identify the core protections and policies that underlie the copyright balance and establish rules that prohibit attempts to "contract out" of such terms.

Although the government has still not posted the transcripts from the final two copyright roundtables, all ten have now been completed.  In all, 111 groups and individuals participated.  As the chart below shows, the music and publishing industries led the way with the most representatives, followed by film/movie, creators, collectives, libraries, and academics.  Most groups appeared once, the exceptions being ACTRA and the Songwriters Association of Canada (twice each).

The top issues raised during the roundtables mirror the issues discussed in the thousands of submissions that have been posted online.  These include fair dealing, WIPO ratification, the approach on anti-circumvention, and ISP liability.  Other notable issues included crown copyright, statutory damages, and subject specific recommendations for photographers, archivists, and museums.  A full summary of key messages is posted below.

Although the government has still not posted the transcripts from the final two copyright roundtables, all ten have now been completed.  In all, 111 groups and individuals participated.  As the chart below shows, the music and publishing industries led the way with the most representatives, followed by film/movie, creators, collectives, libraries, and academics.  Most groups appeared once, the exceptions being ACTRA and the Songwriters Association of Canada (twice each).

The top issues raised during the roundtables mirror the issues discussed in the thousands of submissions that have been posted online.  These include fair dealing, WIPO ratification, the approach on anti-circumvention, and ISP liability.  Other notable issues included crown copyright, statutory damages, and subject specific recommendations for photographers, archivists, and museums.  A full summary of key messages is posted below.

There are now over 4,000 posted submissions with the overwhelming majority of them speaking out against Bill C-61, anti-circumvention rules, and for stronger fair dealing (earlier charts here, here, here, and here).  While critics of fair copyright insist on characterizing many as anti-levy or anti-copyright, there have been only five submissions calling for the elimination of copyright and eight submissions that oppose any media levies.  By comparison, over 3,000 submissions focus on anti-circumvention, notice-and-notice, and stronger personal use rights.

Regardless of your views, there are just nine days left to join the thousands of Canadians who have spoken out.  What are you waiting for – speak out on copyright today!

There are now over 4,000 posted submissions with the overwhelming majority of them speaking out against Bill C-61, anti-circumvention rules, and for stronger fair dealing (earlier charts here, here, here, and here).  While critics of fair copyright insist on characterizing many as anti-levy or anti-copyright, there have been only five submissions calling for the elimination of copyright and eight submissions that oppose any media levies.  By comparison, over 3,000 submissions focus on anti-circumvention, notice-and-notice, and stronger personal use rights.

Regardless of your views, there are just nine days left to join the thousands of Canadians who have spoken out.  What are you waiting for – speak out on copyright today!

The goverment has now posted the audio of the recent Edmonton and Quebec City roundtables.  Both roundtables featured a wide range of perspectives.  The chart below highlights the key positions of each speaker.  I will post a chart of all roundtable positions once the audio of the Toronto and Peterborough roundtables have been posted.

Yesterday I posted on how security guards outside the Toronto copyright town hall demanded that the Canadian Federation of Students and NDP MP Olivia Chow stop distributing flyers discussing their positions on copyright.  It turns out there is further fallout from the incident.  Chow was distributing a flyer that included NDP MP Charlie Angus' interview with Exclaim! on copyright along with "count on me to speak out against Bill C-61 and anti-circumvention rules. I support stronger fair dealing." The Angus interview includes comments on the need for forward looking laws, the failed DMC, and the need to ways to monetize online activities.

While none of this is new – MPs like Angus and Chow have been saying this for months – it generated an incredible response from Alan Willaert, the Canadian representative of the American Federation of Musicians. Willaert sent the following email to representatives of virtually every major Canadian creator group:

Greetings to all.

I am attaching a flyer that was handed out by Olivia Chow at last night’s Copyright Town Hall meeting at the Royal York in Toronto.  I am sure all of you will find its content equally as disgusting as I did.

In light of the fact that the NDP at its convention in Halifax this month dealt with a resolution identified as 6-21-09 Expanding Party Policy on “Supporting Canadian Creativity”, and showed clear support for “ensuring appropriate copyright protection so that creators are fairly compensated for their intellectual property”, I am shocked that both Chow and Charlie Angus are allowed to openly depart from party policy and directive, obviously just to shamelessly buy votes among young people and academics.

We intend on taking the NDP to task over this, and will accept nothing less than a retraction of Ms Chow’s statements and an apology.

Leaving aside the fact that some of those same creator groups spoke for stronger fair dealing with protection for parody at the town hall, it is incredible that we've reached the point that speaking against C-61 and for fair dealing is viewed by some groups as "disgusting" and requiring a retraction and apology.

Update: Charlie Angus responds to the demand for an apology: "Sorry, dude. . . it ain't happening."

CBC's Spark has posted video of a media scrum with Industry Minister Tony Clement following last night's town hall meeting.  The full video is worth watching (embedded below), but I think the key comment comes toward the end when he discusses the timing of a new bill. In answer to the question "when can we expect the bill," he states "we're not quite sure. My personal target date was December 11th, but if it takes an extra couple of weeks or an extra couple of months to get the bill right, I'm also of that view too.  So we have a target but we're not even at the tough stuff yet when you have draft and get something on paper." This comment suggests that the bill could easily slip until the spring of 2010, given that there has been no drafting, the consultation is still running, and the Minister has just opened the door to delaying into next year in order to get the bill right.

The Canadian Federation of Students has issued a press release disclosing a disturbing incident just prior to last night's townhall in Toronto.  CFS says that students attempted to distribute a flyer outlining the organization's position on fair copyright outside the townhall.  The students involved were approached by private security guards who threatened to remove them from the hotel if they continued to do so.  The CFS decided to distribute the flyers specifically because of the limited number of speaking slots and the fear that they would not be called upon to speak (they were not).  It is hard to understand how distributing relevant materials outside a public, government-run townhall is viewed as grounds for ejection.  As the chair of CFS-Ontario notes, "it is ironic that while students are concerned that new legislation may allow copyright owners to lock up information, the government is locking up its own consultations."

Update: NDP MP Olivia Chow reports that she faced the same threats when she tried to distribute documents outlining Charlie Angus' position on copyright.

As promised, I will continue to update the key points found in the hundreds of submissions received by the government as part of the copyright consultation.  The July 20 – 24th summary was posted here, July 25 – 30th here.  This chart bring the data up to August 9th, though more submissions for these dates may still be coming.  Further, with four weeks left in the consultation, what are you waiting for – speak out on copyright today!